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鬼骨场
林保怡 , 钱嘉乐 , 郑艳丽钵兰街骨场发生离奇命案，老差骨庙祝认为事涉凶灵，CID亚Ben认为庙祝迷信。后来两人查出原来骨场只为求生意兴隆，向客人下了淫邪降，令客人欲海沉沦散尽家财……
我的杀手女友
谢苗,房程程影片讲述了一个女杀手和一个小摄影师偶然相遇相杀的爱情故事。谢苗颠覆以往冷酷腹黑的高手形象，在此剧中成了一个一心想举办个人影展的普通小摄影师。 在一次外出采风时，他偶然捡到了一串钻石项链。虽然项链价值不菲，但韩晓峰（谢苗饰）并没有对这串项链产生歹念，一心想寻到失主。 一心向善的韩晓峰却不知，这条看似普通的项链里面却隐藏着一个巨大的秘密。 这期间，韩晓峰忽然感觉自己身边多了一些不怀好意的陌生人，原来平静的生活无端被搅乱，虽然不知道原因，但他知道，这些不明身份的人不会无缘无故的接近他。 当他试图揭开真相的时候，一个冷傲妩媚的女人靠近了他…… 原来起因是某公司老板和夫人之间的利益相争，能左右得利者的关键就是那串项链。 为了找回项链，将家族企业的利益掌握自己手中，老板和老板夫人各使出自己的手段明争暗抢。 公司老板高价雇黑帮寻找得到项链的人，而老板夫人不甘示弱，派出了美女杀手墨影（房程程扮演），来到韩晓峰身边，对他展开了全方位算计。 悲催的是韩晓峰不但不知情，还热心的帮助这位天上掉下来的林妹妹，在地痞流氓的死缠烂打以及黑帮打手们恶意刁难的情况下，他总是挺身而出，用自己单薄的小身板护着墨影。 他的行为在女主的眼中虽然笨拙无用，却感动了自幼生活在冰冷阴暗中的女主，她不忍心杀一个无辜的人，决心将真相告诉韩晓峰。 为了帮到自己喜欢的女孩，韩晓峰和墨影一起踏上了找寻项链的道路，两人在险境中互相激励扶持，感情快速升温，最终找回了项链。本以为任务完成皆大欢喜之时，黑帮老大却找上家门。为了所爱的女孩，为了重新回到往日平静的生活，韩晓峰在大家讶异的目光中，亮出了自己的真实身份……
大哥大
崔志佳,衣云鹤,王喳喳,孙越,程东,林晨,张百乔,王沛禄,张钧涵,马旭东,滕哲东北青年杨大靖因为兄弟义气误伤地头蛇龙哥价值3万元的大哥大，为偿还大哥大，被迫和两兄弟老温、小伍南下替龙哥讨债，却被卷入了一场啼笑皆非的货物风波。依靠着两肋插刀的兄弟情谊，他们化险为夷，成功偿还债务，在南方完成创业梦想还收获了一段美丽的爱情。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment